PinnedAlexandria Slater‘Triangle of Sadness’: Cannes ReviewTriangle of Sadness picks out the holes in our society with references to Marxism, influencer culture and a shit “load of shit”.May 25, 2022May 25, 2022
PinnedAlexandria SlaterCannes 2022: the stand-out short filmsBY ALEXANDRIA SLATERJun 7, 2022Jun 7, 2022
PinnedAlexandria SlaterLove According to Dalva — first-look reviewLove According to Dalva — first-look reviewJun 7, 2022Jun 7, 2022
PinnedAlexandria SlaterUndressing centuries of exploitation within Manchester’s fashion industry — The MeteorThe dark satanic mills of Manchester may have been transformed into chic apartments and office space, but the exploitation and abuse that…Jun 10, 20211Jun 10, 20211
PinnedAlexandria SlaterIndividualism vs. Collectivism In ‘After Love’Alexandria Slater explores symbols of togetherness and their cultural implications in Aleem Khan’s searing feature debut, After Love.Jun 4, 2021Jun 4, 2021
Alexandria SlaterFaya Dayi — reviewMexican Ethiopian filmmaker Jessica Beshir provides the audience with an ethereal viewing experience as high and entrancing as the effects…May 2, 2023May 2, 2023
Alexandria SlaterWhy Corsage deserves the Best Make-Up & Hairstyling Academy AwardWhy Corsage deserves the Best Make-Up & Hairstyling Academy AwardMar 6, 2023Mar 6, 2023
Alexandria SlaterPrisoner’s Daughter — first-look reviewPrisoner’s Daughter — first-look reviewJan 16, 2023Jan 16, 2023
Alexandria SlaterBeauty, Pain, Choice: Feminism in Corsage — Girls on Tops“A pedestal is as much a prison as any other small space.” This quote popularised by Gloria Steinem, acts as the narrative framework for…Dec 8, 2022Dec 8, 2022
